10 MAGAZINE | STAND AND DELIVER: TEN MINUTES TO READ ABOUT A PEACEFUL PROTEST
Text by Rachel Rutt
The impatience of our digital culture incites a craving for the tenderness of the tactile. We feast our eyes and ears, but there is so much less to touch. While it’s debatable whether we can truly own anything, the most treasured items are the ones that hold the deepest and best memories.
The comfort of the familiar. The level of personal attachment doubles when even a small effort is made to salvage a thing almost lost. A transformation is initiated, a second life with a uniqueness connected irrevocably to its owner. Mending, for me, is a work of simplicity, yet it possesses in its utility the art of silent conversation. And what is that conversation? Craft is a time traveller, suspended between the modern and the ancient. Its language transcends common boundaries, connecting us to our shared history, our fragility. Fearless in sincerity and personality, it is a survivor, inspiring us to think about the people and place beyond the object. It is not beauty that compels this, but the innate humility of the act itself, to which its beauty belongs. While we are surrounded by contradictions and the conflict only grows – waste, climate change, disconnection – there is a welcome respite. A collective act of restoration. There are individuals quietly contributing their craft as a way of reshaping our systematic approach. Natural, found and recycled objects within their work shift our perception of value, introducing a narrative inclusive of personal experience and connectivity, vital to its growth. This is a peaceful protest striking without words, elevating the exchange to that of effective ideas, the potential for a new future.